Vol. 01 dissects the unnoticed, the overlooked—spaces like offices, elevators, studios, and atriums—treating them not just as settings, but as active agents in shaping social interaction and perception.

Green Room is more than a printed broadsheet; it is an event, dissolving the boundary between discourse and experience.

A stage has two rules: (1) Anything can happen, and (2) something must happen. Once a space is designated for performance, it carries with it an unspoken expectation. Meaning emerges not from the architecture itself, but from the interaction between space, body, and time—the way movement turns the neutral into the dramatic.

We move through spaces designed for efficiency—airports, lobbies, highways—places that demand little of us, yet, in their quiet anonymity, new forms of interaction, estrangement, and intimacy emerge. It is in these interstices where culture is renegotiated, and routine actions become ritual. 

The Elevator Boy

72x36

issues

OCT 04 2024

24 X 36